Bideford Long Bridge

September 21, 2015

Public Art pt1 – Concept

1st computer generated photomosaic using Artensoft Photomosic Wizard and random images

Art is rarely just created solely for the artist, often made as a commission or gift, but the majority of art sits in the public realm. Historically this was the gallery wall, the open studio, civic building or hotel lobby; but now even amateur artists and hobbyists can publish their latest work to potentially a mass audience through social media, the art critic’s judgement replaced by peer reviews and the number of likes it receives.

“Public art is art in any media that has been planned and executed with the intention of being staged in the physical public domain, usually outside and accessible to all.” Knight, Cher Krause (2008). Public Art: theory, practice and populism. Oxford: Blackwell Publishing.

Having a piece of sculpture installed into a city square by contractors is a typical example of public art but my experience of making a piece, in the 12ft x 5ft empty frame of a boarded up window, in a very public square over the course of 4 weeks takes ‘public’ to a new level.

The original image made by stitching 6 frames together with Photomerge in Photoshop

The work, a photomosaic, was conceived 6 months prior to the installation, and submitted to Bideford Bay Creatives for inclusion in their Culture Show ‘art in non-gallery spaces’ for August – September 2015. Once the concept was accepted permission was obtained from the shop manager of McColls locally and nationally and of the building owner to use the blanked out windows for the piece. Permission was given so long as the artwork was temporary or was easily removable in the future.

As this was to be public art I wanted the public to be part of it hence the idea of a photomosaic which I estimated could be made from 700 to 800 separate images, many of which could come from the public realm. I had never made a photomosaic but my arts practice over the last 20 years, from triptychs made with a film camera to detailed interiors of sea caves have been achieved through constructing an image from many frames. I have also been teaching photography through this period and wanted there to be a learning element to the work also. With this in mind I approached Devon Youth Service in Bideford as a partner in the project so that local young people would get the opportunity to experience the photographic arts process and see their photographs in a public space.

Colour was intensified through hue adjustments and increase of saturation

Through experimenting with Artensoft Photo Mosaic Wizard software it became clear that a colourful, high contrast, graphic image would be needed to base the mosaic on. The theme of Culture Show was the River, and so I wanted to use Bideford’s iconic, historic longbridge, which dates back to the 13th century to build the work from.

Early attempt at computer generated photomosaic to determine which images worked the best

The ‘frame’ I needed to fill was wide-screen in shape so I needed a view of the bridge head on, much like it is in Bideford?s coat of arms, however this is a view rarely seen as you need to be in the middle of the river to see it. I took up the challenge on a very low tide with sunshine highlighting the uneven arches of the bridge; and walked to the middle of the channel using a bamboo cane to check for sinking sand. Conscious of the incoming tide the initial photographic panorama was made very quickly. These images were stitched together in Photoshop?s Photomerge enhanced in Lightroom and then the saturation was increased to give me the graphic representation I was hoping for.

Final Artensoft photomosaic that was used as a guide for the artwork

July 17, 2013

Ghost Ship, Bideford Quay – commission for The Rose Salterne

A new JD Wetherspoon pub, The Rose Salterne, opened it’s doors on Tuesday 23rd July 2013 on historic Bridgeland Street. I was commissioned to make a new constructed photograph for the premises based on my ‘Ghostcard’ series of images. Above is the finished, 2 metre wide picture, based around a Victorian photograph from the Beaford Old Archive. The buildings of the historic photograph are little changed but the width of Bideford Quay is now approximately three times as wide.

Victorian photograph of Bideford Quay, photographer unknown, with permission of Beaford Old Archive

The original image, above, would have been photographed from the Bideford Long Bridge, I think the darkened edge of the bottom right hand corner could be part of the bridge. Unfortunately to have followed suit and photographed from exactly the same place I would have most of the image obscured by road signs. The new image was shot a few feet closer and was constructed from up to 347 frames, perhaps 200 of these were stitched together in the final photograph. The photographs were taken between 11am and 11.30am over two days; the first a showery Saturday when lots of people were in town, and the second a sunny mid-week day which gave me a better sky and evenly exposed road and stone floor.

In this close-up you can see where the edge of Bideford Quay used to be as the cycle hangs precariously over the edge.

In my Ghostcard images my intention is to form a relationship between the present and the past. In the close-up above, the present day man driving a disability scooter seems to veer to the right to avoid the Victorian ship. Cars and cyclists drive and ride around the girls dancing on the original quay. In the close-up below Andrew Powell, local historian dressed in Elizabethan costume, addresses a group of Mark Horton’s archaeology students from Bristol University; he appears to be telling them all about this ancient ship.

Andrew Powell, author of Grenville and the Lost Colony

See my portfolio of Ghost Card images! I am always interested in taking on a commission, please email me through my contact page.